科图分类法:	J205/5 版次：
中图分类法:	J205 版次：
著者:	Sjastad, Oystein.
题名:	A theory of the tache in nineteenth-century painting / / ,
出版发行:	出版地： London : 出版社： Routledge, 出版日期： 2019.
载体形态:	x, 179 p. : ill. ; 24 cm.
附注:	Originally published: Burlington: Ashgate, 2014.
内容提要:	Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. C zanne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist' s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art. With a methodological framework drawn from the semiotics of text and image, the author introduces a much-needed fine-tuning to the classic terms index, symbol, and icon. The concept of the tache as a ' crossing' of sign-types enables finer distinctions and observations than have been available thus far within the Peircean tradition. The ' sign-crossing' theory opens onto the whole terrain of interaction between visual art, art criticism, literature, philosophy, and psychology.
主题词:	Painting Semiotics.
主题词:	Painting, Modern 19th century.
索书号:	J205/5