|
科图分类法:
|
J913/3 版次： |
|
中图分类法:
|
J913 版次： |
|
著者:
|
Betancourt, Michael, |
|
题名:
|
Title sequences as paratexts : [ narrative anticipation and recapitulation /] / , |
|
出版发行:
|
出版地： New York : 出版社： Routledge, 出版日期： 2019. |
|
载体形态:
|
xi, 161 p. : ill. ; 23 cm. |
|
内容提要:
|
In his third book on the semiotics of title sequences, Title Sequences as Paratexts, theorist Michael Betancourt offers an analysis of the relationship between the title sequence and its primary text Dthe narrative whose production the titles credit. Using a wealth of examples drawn from across film history Dranging from White Zombie (1931), Citizen Kane (1940) and Bullitt (1968) to Prince of Darkness (1987), Mission: Impossible (1996), Sucker Punch (2011) and Guardians of the Galaxy, Vol. 2 (2017) DBetancourt develops an understanding of how the audience interprets title sequences as instances of paranarrative, simultaneously engaging them as both narrative exposition and as credits for the production. This theory of cinematic paratexts, while focused on the title sequence, has application to trailers, commercials, and other media as well. |
|
主题词:
|
Credit titles (Motion pictures, television, etc.) |
|
主题词:
|
Motion pictures Titling. |
|
主题词:
|
Motion pictures Philosophy. |
|
索书号:
|
J913/3 |