科图分类法:	J33(546)/2 版次：
中图分类法:	J33(546) 版次：
著者:	Lakey, Christopher R..
题名:	Sculptural seeing : [ relief, optics, and the rise of perspective in medieval Italy /] / ,
出版发行:	出版地： New Haven ; 出版社： Yale University Press, 出版日期： c2018.
载体形态:	xi, 226 p. : ill. (some col.) ; 27 cm.
附注:	Revision and expansion of the author's thesis (doctoral--University of California, Berkeley, 2009) under the title: Relief in perspective : medieval Italian sculpture and the rise of optical aesthetics.
内容提要:	Although perspective has long been considered one of the essential developments of Renaissance painting, this provocative new book shifts the usual narrative back centuries, showing that medieval sculptors were already employing knowledge of optical science, geometry, and theories of vision in shaping the beholder's experience of their work. Meticulous visual analysis is paired with close readings of medieval texts in examining a series of important relief sculptures from northern and central Italy dating from the twelfth through the fourteenth centuries, including the impressive sculptural programs at the cathedrals of Modena and Ferrara, and the pulpits by Giovanni and Nicola Pisano at Pisa and Pistoia. Demonstrating that medieval sculptors orchestrated the reception of their intended religious and political messages through the careful manipulation of points of view and architectural space, Christopher R. Lakey argues that medieval practice was well informed by visual theory and that the concepts that led to the codification of linear perspective by Renaissance painters had in fact been in use by sculptors for hundreds of years.
主题词:	Relief (Sculpture), Italian.
主题词:	Relief (Sculpture), Medieval Italy.
主题词:	Optics and art History To 1500. Italy
主题词:	Visual perception in art.
主题词:	Perspective.
主题词:	Geometry in art.
索书号:	J33(546)/2