科图分类法:
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I712.06/25 版次: |
中图分类法:
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I712.06 版次: |
题名:
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A history of the Harlem Renaissance / / , |
出版发行:
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出版地: Cambridge, United Kingdom : 出版社: Cambridge University Press, 出版日期: 2021. |
载体形态:
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xix, 432 p. : ill. ; 24 cm. |
内容提要:
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"Essays such as W. E. B. Du Bois's "Criteria of Negro Art," Langston Hughes's "The Negro Artist and the Racial Mountain," and George Schuyler' "The Negro-Art Hokum"--which make respective cases for art as propaganda, the cultural distinctiveness of black American art, and the absence of any fundamental differences between black and white American art--lay bare some of the key disagreements that continue to animate debates about the politics of representation. Marita Bonner's 1925 Crisis essay "On Being Young, a Woman, and Colored," with its eloquent insistence that any examination of the relationship between art and politics must attend to questions of sexuality and gender, anticipates critical approaches developed by pioneering black feminists, including Barbara Christian, Akasha (Gloria) Hull, Deborah E. McDowell, Claudia Tate, and Cheryl A. Wall, from the 1970s. Indeed, an enduring tendency to sideline Bonner and other black women writers in critical accounts of Harlem Renaissance debates about "art or propaganda" signals the continuing salience of the black feminist project of "engendering the Harlem Renaissance [by] undoing perimeters that exclude women and their writing""-- |
主题词:
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American literature African American authors |
主题词:
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American literature History and criticism. 20th century |
主题词:
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African American arts 20th century. |
主题词:
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African Americans in literature. |
主题词:
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African Americans Intellectual life 20th century. |
主题词:
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Harlem Renaissance. |
主要责任者:
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Farebrother, Rachel. Farebrother, Rachel. |
主要责任者:
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Thaggert, Miriam. Thaggert, Miriam. |
索书号:
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I712.06/25 |