this book is a diary derived from the careful editing of a vast series of notebooks: a complete yet diverse ensemble of investigations, lecture notes, travel diaries, poems, short fictions, summaries, and projects. owing to the performance of her writing, the image created shows not only the life of an artist but also the way she transmits her experience, and how she conceives the current state of the arts. between self-help and an artistic frankenstein, this book covers ten years of atomized writing, scattered notes which have found their axis many years later. experience is considered to be a multisensorial collage, and drawing is a modest and subtle companion, but also a powerful tool to transform reality. for the author, writing is pouring life directly into notebooks: a mobile registry which records impressions at any time, and at its own pace.
in the wake of walter benjamin's 'unfinished' thinking structures, this volume operates through contiguous directions, transitions and regressions, incorporating images as part of the discussion of a ruinous visuality. its polycentric mesh covers a wide range of art, writing, photography and film: from ritual uses of the 'darksome' and its legacies in pre-hispanic cultures to colonial religious iconography of penitential blindness; from narco-noir in the novels of roberto bola o and yuri herrera to techno-noir in dystopian border films; from the quotidian taxonomy of horror expurgated in art practice to the haunted 'other darkness' of the photographic blink. it also explores how we can contest the threat of dark ecology and 'horrorism' through sense expansion within new media and by positing fruitful blind spots in text and art.
(来源indie) (2)'>these essays by critics, theorists and artists explore the allusive nexus of the dark in contemporary mexican literature and visual culture. they chart the poetics of 'negrura-oscuridad' in creative media during decades of deepening crisis marked by the high-profile staging of atrocities, the re-emergence of an ironic noir aesthetic and the consolidation of forensically inspired art-making.
in the wake of walter benjamin's 'unfinished' thinking structures, this volume operates through contiguous directions, transitions and regressions, incorporating images as part of the discussion of a ruinous visuality. its polycentric mesh covers a wide range of art, writing, photography and film: from ritual uses of the 'darksome' and its legacies in pre-hispanic cultures to colonial religious iconography of penitential blindness; from narco-noir in the novels of roberto bola o and yuri herrera to techno-noir in dystopian border films; from the quotidian taxonomy of horror expurgated in art practice to the haunted 'other darkness' of the photographic blink. it also explores how we can contest the threat of dark ecology and 'horrorism' through sense expansion within new media and by positing fruitful blind spots in text and art.
(来源indie) (2)in the 1980s, the ontario board of censors began to subject media artists’ work to the same cuts, bans, and warning labels as commercial film. this innovative exploration of how art and law intersected in the ensuing censor wars turns a spotlight on the powerful role that artists can play in the administration of culture. when artists and their anti-censorship allies mounted grassroots protests and entered courts of law, they impacted how the province interpreted freedom of expression. the language of the law in turn shaped the way artists conceived of their own practices.
in his own lifetime, william blake (1757-1827) was a relatively unknown nonconventional artist with a strong political bent. william blake and the age of aquarius is a beautifully illustrated look at how, some two hundred years after his birth, the antiestablishment values embodied in blake's art and poetry became a model for artists of the american counterculture.
this book provides new insights into the politics and protests of blake's own lifetime, and the generation of artists who revived and reimagined his work in the mid-1940s through 1970, or what might be called the "long sixties." contributors explore blake's outsider status in georgian england and how his individualistic vision spoke to members of the beat generation, hippies, radical poets and writers, and other voices of the counterculture. among the artists, musicians, and writers who looked to blake were such diverse figures as diane arbus, jay defeo, the doors, sam francis, allen ginsberg, jess, agnes martin, ad reinhardt, charles seliger, maurice sendak, robert smithson, clyfford still, and many others. this book also explores visual cultures around such galvanizing moments of the 1960s as woodstock and the summer of love.
william blake and the age of aquarius shows how blake's myths, visions, and radicalism found new life among american artists who valued individualism and creativity, explored expanded consciousness, and celebrated youth, peace, and the power of love in a turbulent age.
exhibition schedule:
mary and leigh block museum of art, northwestern university
september 23, 2017-march 11, 2018
a stunningly illustrated look at how blake's radical vision influenced artists of the beat generation and 1960s counterculture
in his own lifetime, william blake (1757-1827) was a relatively unknown nonconventional artist with a strong political bent. william blake and the age of aquarius is a beautifully illustrated look at how, some two hundred years after his birth, the antiestablishment values embodied in blake's art and poetry became a model for artists of the american counterculture.
this book provides new insights into the politics and protests of blake's own lifetime, and the generation of artists who revived and reimagined his work in the mid-1940s through 1970, or what might be called the "long sixties." contributors explore blake's outsider status in georgian england and how his individualistic vision spoke to members of the beat generation, hippies, radical poets and writers, and other voices of the counterculture. among the artists, musicians, and writers who looked to blake were such diverse figures as diane arbus, jay defeo, the doors, sam francis, allen ginsberg, jess, agnes martin, ad reinhardt, charles seliger, maurice sendak, robert smithson, clyfford still, and many others. this book also explores visual cultures around such galvanizing moments of the 1960s as woodstock and the summer of love.
william blake and the age of aquarius shows how blake's myths, visions, and radicalism found new life among american artists who valued individualism and creativity, explored expanded consciousness, and celebrated youth, peace, and the power of love in a turbulent age.
exhibition schedule:
mary and leigh block museum of art, northwestern university
september 23, 2017-march 11, 2018
检索条件: Artists ( 主题词 )
责任者 Susan Davidson, Jennifer Cohen, Simon Kelly, Monica McTighe, Sarah Rich, Peter Wilberg
出版信息 Hatje Cantz Verlag (Hatje Cantz Publishers) ,2023-08-24
ISBN 978-3-7757-5438-5
出版信息 Hatje Cantz Verlag (Hatje Cantz Publishers) ,2023-06-01
ISBN 978-3-7757-5469-9
责任者 Ralph Rugoff, Lynne Cooke, Rachel Cusk, Julienne Lorz, Joseph Logan
出版信息 Hatje Cantz Verlag ,2022-04-12
ISBN 978-3-7757-5149-0
责任者 Maarten Bassens and Lieve Watteeuw
出版信息 Thames and Hudson Ltd ,2019
ISBN 978-0-5002-3999-5
责任者 Baudin-Reneau, Katia.,Milovac, Tihomir.
出版信息 Verlag Kettler, ,c2017.
ISBN 9783862066667 :
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