contextualizing the duo’s work within british comedy, shakespeare criticism, the history of sexuality, and their own historical moment, this book offers the first sustained analysis of the 20th century’s most successful double-act. over the course of a forty-four-year career (1940-1984), eric morecambe & ernie wise appropriated snippets of verse, scenes, and other elements from seventeen of shakespeare’s plays more than one-hundred-and-fifty times. fashioning a kinder, more inclusive world, they deployed a vast array of elements connected to shakespeare, his life, and institutions. rejecting claims that they offer only nostalgic escapism, hamrick analyses their work within contemporary contexts, including their engagement with many forms and genres, including variety, the heritage industry, journalism, and more. ‘the boys’ deploy shakespeare to work through issues of class, sexuality, and violence. lesbianism, drag, gay marriage, and a queer aesthetics emerge, helping to normalize homosexuality and complicate masculinity in the ‘permissive’ 1960s.
in the wake of walter benjamin's 'unfinished' thinking structures, this volume operates through contiguous directions, transitions and regressions, incorporating images as part of the discussion of a ruinous visuality. its polycentric mesh covers a wide range of art, writing, photography and film: from ritual uses of the 'darksome' and its legacies in pre-hispanic cultures to colonial religious iconography of penitential blindness; from narco-noir in the novels of roberto bola o and yuri herrera to techno-noir in dystopian border films; from the quotidian taxonomy of horror expurgated in art practice to the haunted 'other darkness' of the photographic blink. it also explores how we can contest the threat of dark ecology and 'horrorism' through sense expansion within new media and by positing fruitful blind spots in text and art.
(来源indie) (2)'>these essays by critics, theorists and artists explore the allusive nexus of the dark in contemporary mexican literature and visual culture. they chart the poetics of 'negrura-oscuridad' in creative media during decades of deepening crisis marked by the high-profile staging of atrocities, the re-emergence of an ironic noir aesthetic and the consolidation of forensically inspired art-making.
in the wake of walter benjamin's 'unfinished' thinking structures, this volume operates through contiguous directions, transitions and regressions, incorporating images as part of the discussion of a ruinous visuality. its polycentric mesh covers a wide range of art, writing, photography and film: from ritual uses of the 'darksome' and its legacies in pre-hispanic cultures to colonial religious iconography of penitential blindness; from narco-noir in the novels of roberto bola o and yuri herrera to techno-noir in dystopian border films; from the quotidian taxonomy of horror expurgated in art practice to the haunted 'other darkness' of the photographic blink. it also explores how we can contest the threat of dark ecology and 'horrorism' through sense expansion within new media and by positing fruitful blind spots in text and art.
(来源indie) (2)检索条件： Emergencies ( 主题词 )
出版信息 University of Nebraska Press ,201911
ISBN 978-1-49621-554-3
加入成功
没有可借图书，您可对该书进行预约，等书还回后会按照预约顺序分配给您
确定预约