the essays in this volume are concerned with early printed narrative texts in western europe. the aim of this book is to consider to what extent the shift from hand-written to printed books left its mark on narrative literature in a number of vernacular languages. did the advent of printing bring about changes in the corpus of narrative texts when compared with the corpus extant in manuscript copies? did narrative texts that already existed in manuscript form undergo significant modifications when they began to be printed? how did this crucial media development affect the nature of these narratives? which strategies did early printers develop to make their texts commercially attractive? which social classes were the target audiences for their editions? around half of the articles focus on developments in the history of early printed narrative texts, others discuss publication strategies. this book provides an impetus for cross-linguistic research. it invites scholars from various disciplines to get involved in an international conversation about fifteenth- and sixteenth-century narrative literature.
the heart is an iconic symbol in the medieval and early modern european world. in addition to being a physical organ, it is a key conceptual device related to emotions, cognition, the self and identity, and the body. the heart is read as a metaphor for human desire and will, and situated in opposition to or alongside reason and cognition. in medieval and early modern europe, the "feeling heart" - the heart as the site of emotion and emotional practices - informed a broad range of art, literature, music, heraldry, medical texts, and devotional and ritual practices. this multidisciplinary collection brings together art historians, literary scholars, historians, theologians, and musicologists to highlight the range of meanings attached to the symbol of the heart, the relationship between physical and metaphorical representations of the heart, and the uses of the heart in the production of identities and communities in medieval and early modern europe.
(来源indiebound) (1)the spectators, also known as moral weeklies, were an important magazine genre which came into being in the early 18th century and which shaped european identity by developing the strategies of critical journalism and by popularizing the ideas and values of the age of enlightenment. investigating modes of storytelling in the spectators is an important starting point for a paradigmatic investigation of our historical, cultural and philosophical evolution since the enlightenment and the impact of these magazines on issues of identity in today's europe. in this collection on, we present a series of contributions which study english, french, spanish, italian, german, dutch, czech, polish and danish-norwegian periodicals.
(来源indie) (1)检索条件： Europe. ( 主题词 )
ISBN 978-3955047054
出版信息 Presses universitaires de la Méditerranée ,2021
ISBN 978-2-367-81420-9
责任者 Veronika Urbonaite Barkauskiene^^Ula Sveikauskaite^^Egle Marija Azubalyte
出版信息 IPS-Two Silences ,2023-03-21
ISBN 978-6-09-823236-3
责任者 Sonya Hartnett; Andrea Offermann; Jon Mcnaught
出版信息 Walker Books Ltd ,2010-11-01
ISBN 978-1-40633-149-3
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