in the 1980s, the ontario board of censors began to subject media artists’ work to the same cuts, bans, and warning labels as commercial film. this innovative exploration of how art and law intersected in the ensuing censor wars turns a spotlight on the powerful role that artists can play in the administration of culture. when artists and their anti-censorship allies mounted grassroots protests and entered courts of law, they impacted how the province interpreted freedom of expression. the language of the law in turn shaped the way artists conceived of their own practices.
reimagining how we understand and write about the indigenous listening experience?
hungry listening is the first book to consider listening from both indigenous and settler colonial perspectives. a critical response to what has been called the “whiteness of sound studies,” dylan robinson evaluates how decolonial practices of listening emerge from increasing awareness of our listening positionality. this, he argues, involves identifying habits of settler colonial perception and contending with settler colonialism’s “tin ear” that renders silent the epistemic foundations of indigenous song as history, law, and medicine.
with case studies on indigenous participation in classical music, musicals, and popular music, hungry listening examines structures of inclusion that reinforce western musical values. alongside this inquiry on the unmarked terms of inclusion in performing arts organizations and compositional practice, hungry listening offers examples of “doing sovereignty” in indigenous performance art, museum exhibition, and gatherings that support an indigenous listening resurgence.
throughout the book, robinson shows how decolonial and resurgent forms of listening might be affirmed by writing otherwise about musical experience. through event scores, dialogic improvisation, and forms of poetic response and refusal, he demands a reorientation toward the act of reading as a way of listening. indigenous relationships to the life of song are here sustained in writing that finds resonance in the intersubjective experience between listener, sound, and space.
(来源indiebound) (1)检索条件： Law ( 主题词 )
责任者 Giddens, Thomas
出版信息 1 ,Multimodality and the Haunted Mask of Knowing
ISBN 978-0-367-40447-5
责任者 Hughes, James E ; Whitaker, Keith ; Massenzio, Susan E
出版信息 Wiley ,2022-01-12
ISBN 978-1-119-82003-1
责任者 Sterio, Milena.,Scharf, Michael P.,
出版信息 Cambridge University Press, ,2019.
ISBN 9781108404990 :
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