the heart is an iconic symbol in the medieval and early modern european world. in addition to being a physical organ, it is a key conceptual device related to emotions, cognition, the self and identity, and the body. the heart is read as a metaphor for human desire and will, and situated in opposition to or alongside reason and cognition. in medieval and early modern europe, the "feeling heart" - the heart as the site of emotion and emotional practices - informed a broad range of art, literature, music, heraldry, medical texts, and devotional and ritual practices. this multidisciplinary collection brings together art historians, literary scholars, historians, theologians, and musicologists to highlight the range of meanings attached to the symbol of the heart, the relationship between physical and metaphorical representations of the heart, and the uses of the heart in the production of identities and communities in medieval and early modern europe.
(来源indiebound) (1)the great slavic medieval epic, the igor tale, recounts the story of a russian prince who leads his men into battle against the mongols. in 1935, soviet scholar p.n. berkov began to compile a bibliography of western european translations of the poem, later followed by several soviet union biographies compiling the works on the epic that had appeared in the russian empire or the soviet union. here, cooper attempts to remedy the shortcomings of previous scholar work: to seriously survey the large body of non-soviet scholarship on the poem particularly western contributions to igor scholarship. originally published in 1978, cooper traces foreign scholarship and translations from 1900-1976 from a wide variety of western and some eastern nations including the united states, great britain, france, italy, poland, japan and many other countries. this title is a valuable resource for students of literature and slavic studies.
(来源indiebound) (1)检索条件： Literature, Medieval ( 主题词 )
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