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(来源amazon.co.uk) (2)'>

the so-called 'canon tables' of the christian gospels are an absolutely remarkable feature of the early, late antique, and medieval christian manuscript cultures of east and west, the invention of which is commonly attributed to eusebius and dated to first decades of the fourth century ad. intended to host a technical device for structuring, organizing, and navigating the four gospels united in a single codex - and, in doing so, building upon and bringing to completion previous endeavours - the canon tables were apparently from the beginning a highly complex combination of text, numbers and images, that became an integral and fixed part of all the manuscripts containing the four gospels as sacred scripture of the christians and can be seen as exemplary for the formation, development and spreading of a specific christian manuscript culture across east and west ad 300 and 800.

in the footsteps of carl nordenfalk's masterly publication of 1938 and few following contributions, this book offers an updated overview on the topic of 'canon tables' in a comparative perspective and with a precise look at their context of origin, their visual appearance, their meaning, function and their usage in different times, domains, and cultures.

(来源amazon.co.uk) (2)
  • the arts - public performances (2)
  • named after a small neighborhood in london where its members settled as young adults, the bloomsbury group produced an impressive body of work that yielded british post-impressionist painting, literary modernism, the field of macroeconomics, and a new direction for public taste in art. this companion offers a comprehensive guide to the intellectual and social contexts surrounding bloomsbury and its coterie, which includes writer virginia woolf, economist maynard keynes, and art critic roger fry, among others. thirteen chapters from leading scholars and critics explore the bloomsbury group's rejection of victorian values and social mores, their interventions in issues of empire and international politics, their innovations in the literary and visual arts, and more. complete with a chronology of key events and a detailed guide to further reading, this companion provides scholars and students of english literature with fresh perspectives on the achievements of this remarkable circle of friends (1)
  • the art of closing any deal takes readers into the trenches of the psychological war called selling--and who better than sales guru james w. pickens to give them the hardhitting ammunition for every type of customer out there. from the "i'm just looking" to the "know-it-all" to the "i don't care" and the "yes-man, " pickens takes aim at them all. readers will learn to control buyers since the author's simulated conversation will arm them with winning and positive comebacks for every negative customer reply. closing secrets include: deadly closing tips to make people buy; unbeatable closer responses to the most common objectives; how to read the customer's emotions and use perfect timing to nail the lid on the final close; and more. readers will ultimately learn how to conquer buyers, as pickens' take-no-prisoners techniques show them how to move in for the final attack. since its initial publication in 1989 (shapolsky publishers), the art of closing any deal has over one million copies in print worldwide. warner's trade paperback edition of the art of closing any deal (1991) has become a solid backlist seller with over 100,000 copies in print. warner has had tremendous success with business books in the area of sales techniques and selling, as evidenced by tom hopkins' how to master the art of selling (1989), with net sales of over 300,000 copies and a 93% sell-through rate. james w. pickens has over 30 years of successful top-level professional selling experience. in addition to the art of closing any deal, he is the author of more art of closing any deal and cleopatra's secrets of negotiation & persuasion for women. show more (1)
  • the georgian landscape garden has been hailed as the greatest british contribution to european art, it has traditionally been seen as a beautiful composition created from grass, trees and water, and perhaps a little sterile. but scratch below the surface and history reveals they were a lot less serene and, in places, a great deal more scandalous. this book about the private life of the georgian garden reveals its previously untold secrets. it explains how by the eighteenth century there was a desire to escape the busy country house where privacy was at a premium, and how these gardens evolved aesthetically, with modestly-sized, far-flung temples and other eye-catchers, to cater for escape and solitude as well as food, drink, music and fireworks. its publication coincides with the tercentenary of the birth of lancelot 'capability' brown, arguably britain's greatest ever landscape gardener, and the book is uniquely positioned to put brown's work into its social context. (来源indiebound) (1)
  • this collection, spanning nearly a decade of artistic activity, features selections of writings that trace the intellectual influences and track the development of one of the more formidable and productive minds in the contemporary art world. the writings comprise enrique martínez celaya’s public lectures; essays; interviews; correspondence with artists, critics, and scholars; artist statements; blog posts; and journal entries. 

    these texts were written during martínez celaya’s appointment as visiting presidential professor at the university of nebraska; roth distinguished visiting scholar at dartmouth college; and, most recently, as the first provost professor of humanities and arts at the university of southern california. marked by martínez celaya’s encyclopedic curiosity and considerable knowledge about the world, these writings and interviews explore the role of art in life, evaluate texts by other modern and contemporary artists and thinkers, and reveal the artist’s deep engagement with artistic, philosophical, and literary lines of inquiry. (来源indiebound) (1)
  • victorian poetry was read and enjoyed by a much larger audience than is sometimes thought. publication in widely-circulating periodicals, reprinting in book reviews, and excerpting in novels and essays ensured that major poets such as tennyson, browning, hardy and rossetti were household names, and they remain popular today. the cambridge introduction to victorian poetry provides an accessible overview of british poetry from 1830 to 1901, paying particular attention to its role in mass media print culture. designed to interest both students and scholars, the book traces lively dialogues between poets and explains poets' choices of form, style and language. it also demonstrates poetry's relevance to victorian debates on science, social justice, religion, imperialism, and art. featuring a glossary of literary terms, a guide to further reading, and two examples of close readings of victorian poems, this introduction is the ideal starting-point for the study of verse in the nineteenth century (1)
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