unlike the benevolent orphan found in charlie chaplin's the kid or the sentimentalized figure of little orphan annie, the orphan in postwar eastern european cinema takes on a more politically fraught role, embodying the tensions of individuals struggling to recover from war and grappling with an unknown future under soviet rule. by exploring films produced in postwar hungary, the german democratic republic, czechoslovakia, romania, and poland, parvulescu traces the way in which cinema envisioned and debated the condition of the post-world war ii subject and the "new man" of soviet-style communism. in these films, the orphan becomes a cinematic trope that interrogates socialist visions of ideological institutionalization and re-education and stands as a silent critic of the system's shortcomings or as a resilient spirit who has resisted capture by the political apparatus of the new state.
(来源indiebound) (2)in the 1980s, the ontario board of censors began to subject media artists’ work to the same cuts, bans, and warning labels as commercial film. this innovative exploration of how art and law intersected in the ensuing censor wars turns a spotlight on the powerful role that artists can play in the administration of culture. when artists and their anti-censorship allies mounted grassroots protests and entered courts of law, they impacted how the province interpreted freedom of expression. the language of the law in turn shaped the way artists conceived of their own practices.
检索条件： Subjectivity. ( 主题词 )
责任者 Lakeena Chitman-Booker; Kathleen Kopp
出版信息 Shell Educational Publishing ,201301
ISBN 978-1-42580-689-7
责任者 Henri Bonvallet ; avant-propos Huguette Delaine
出版信息 Simarre ,2021
ISBN 978-2-365-36135-4
责任者 Hall-Duncan, Nancy ; Steele, Valerie
出版信息 Rizzoli Electa ,2022-11-15
ISBN 978-0-84787-239-8
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