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the so-called 'canon tables' of the christian gospels are an absolutely remarkable feature of the early, late antique, and medieval christian manuscript cultures of east and west, the invention of which is commonly attributed to eusebius and dated to first decades of the fourth century ad. intended to host a technical device for structuring, organizing, and navigating the four gospels united in a single codex - and, in doing so, building upon and bringing to completion previous endeavours - the canon tables were apparently from the beginning a highly complex combination of text, numbers and images, that became an integral and fixed part of all the manuscripts containing the four gospels as sacred scripture of the christians and can be seen as exemplary for the formation, development and spreading of a specific christian manuscript culture across east and west ad 300 and 800.

in the footsteps of carl nordenfalk's masterly publication of 1938 and few following contributions, this book offers an updated overview on the topic of 'canon tables' in a comparative perspective and with a precise look at their context of origin, their visual appearance, their meaning, function and their usage in different times, domains, and cultures.

(来源amazon.co.uk) (2)
  • 世界文学 (2)
  • 心理交往 (2)
  • 52 (society) (1)
  • the heart is an iconic symbol in the medieval and early modern european world. in addition to being a physical organ, it is a key conceptual device related to emotions, cognition, the self and identity, and the body. the heart is read as a metaphor for human desire and will, and situated in opposition to or alongside reason and cognition. in medieval and early modern europe, the "feeling heart" - the heart as the site of emotion and emotional practices - informed a broad range of art, literature, music, heraldry, medical texts, and devotional and ritual practices. this multidisciplinary collection brings together art historians, literary scholars, historians, theologians, and musicologists to highlight the range of meanings attached to the symbol of the heart, the relationship between physical and metaphorical representations of the heart, and the uses of the heart in the production of identities and communities in medieval and early modern europe.

    (来源indiebound) (1)
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  • art institute of chicago (1)
  • british culture today is the product of a shifting combination of tradition and experimentation, national identity and regional and ethnic diversity. these distinctive tensions are expressed in a range of cultural arenas, such as art, sport, journalism, fashion, education, and race. this companion addresses these and other major aspects of british culture, and offers a sophisticated understanding of what it means to study and think about the diverse cultural landscapes of contemporary britain. each contributor looks at the language through which culture is formed and expressed, the political and institutional trends that shape culture, and at the role of culture in daily life. this interesting and informative account of modern british culture embraces controversy and debate, and never loses sight of the fact that britain and britishness must always be understood in relation to the increasingly international context of globalisation (1)
  • british museum (1)
  • brown, charlie (1)
  • daros-latinamerica (art collection) (1)
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